Inappropriate Conversations

 "I love to tell the story" is a true statement whether the phrase ends "of Jesus and his love" like the hymn or with a disturbing denouement. Through parables or pure mythology, or even by the legends of the locker room, telling stories is crucial part of how we communicate. The best-selling book of all time is full of stories that we've historically taken for granted. What will become of our culture if many of us forget what those accounts relate?

It is possible, from recent shows, that my tastes in music seem a bit soft. I've spoken about easy listening (The Ink Spots) and Christian music (Chris Rice) at some length lately. Truth is, my tastes vary wildly. Most people think they have a broad taste in music; typically, that means broadly within a genre. I cut both across and deep, with examples here that don't include any jazz (Anthony Braxton, for example), and at a length that had to skip things as obvious as Sepultura or Metallica and as niche as JFA (Jodie Foster's Army) and Laurie Anderson. Speaking of Anderson, here is her perspective: "So, sit bold, upright, in that straight-back chair. Button that top button. And get set for some difficult music ... ooh la ..." indeed. Different Drummer: Henry Rollins

The first time I heard "This Is Worth Fighting For" from the World War II era, I remembered a story from a motivational speaker at a seminar. It was about a man struggling to return from an attempt to reach the summit of Mount Everest, and which voice among many ultimately talked him off the mountain. He didn't respond to reminders about his duty and obligation. He didn't react to the fear of friends and family that he might die. If his response was an indication of what was most worth fighting for, it proved to be the simplest things, not unlike a log cabin in a little valley with rows of corn planted nearby. Sometimes, the most impressive thing a state legislator can do is stand up. I believe the most important decision we can make on questions of marriage rights is to support people who love each other and ignore people who hate. Like the mountain climber, we often need to set aside anger and fear, choosing instead to respond to love. Different Drummer: Jamie Clarke

I recall hearing in a Sociology course about a form of existentialism so dark that some people never accept they were alive until the moment of death itself. For most of us, even the slightest touch confirms what I'll jokingly call "our suspicion" that we actually exist. A handshake, pat on the back, or a hug can provide powerful validation. It's a mistake to take such an obvious thing for granted. Different Drummer: Leo Buscaglia

It is almost a cliché to speak about strained communications between mothers and daughters or fathers and sons, but that doesn't make it any less true. The moments where my family has overcome those obstacles have had much to do with humor. Less successful situations tend to be hampered by either parent or child remaining silent, unable to find the right words. Long ago, a classic Swedish film taught me that sometimes talk, any talk, speaks volumes in these relationships whether the words are trite or profound. Different Drummer: Harriet Andersson Andersson in "Through A Glass Darkly" Conclusion of "Through A Glass Darkly"

The notion of "authorial intent" has been used to challenge literary and film criticism for as long as humanity has discussed art.  Is the writer's vision the only point of view that matters?  What if a critic or a number of readers find valid alternative subtexts?  The dividing line may be revealed by separating the role of the author.  From an artistic perspective, he or she is another reader with an equally valid view.  I know that this marginalizes the influence of the creators on interpretations of their work.  On the other hand, the external intent of those same creators must not be ignored or diminished.  So, if you make an incendiary hate film in an attempt to start a global war, everything about your motivations and intentions are subject to scrutiny; meaning, you cannot hide behind any freedom of speech as freedom from scrutiny. Different Drummer: Maxim Vengerov

Jesus once asked this question: "What can anyone give in exchange for their soul?" He was telling a crowd, not just 12 disciples, about what it meant to follow him. His answer had nothing to do with a "chosen people" or a "Christian nation." Jesus was speaking to a large group of individuals, and he asked each if he or she was willing to pick up their own cross and follow him. By "anyone" he meant "any one." This does not bode well for believers who think that electing the right leader or reviving some ancient laws will ensure salvation. In fact, hiding within such group-think is probably a sign that you are ashamed to follow Jesus his way. Different Drummer: Toby McKeehan DC Talk - "Jesus Freak"